ONE HUNDRED AND EIGHTY EIGHT

A surprising little gem from Terry Eagleton in Adbusters.

“A jazz group which is improvising obviously differs from a symphony orchestra, since to a large extent each member is free to express herself as she likes. But she does so with a receptive sensitivity to the self-expressive performance of the other musicians. The complex harmony that they fashion comes not from playing from a collective score, but from the free musical expression of each member acting as the basis for the free expression of the others. As each player grows more musically eloquent, the others draw inspiration from this and are spurred to greater heights. There is no conflict here between freedom and the good of the whole, yet the image is the reverse of totalitarian. Though each performer contributes to the greater good of the whole, she does so not by some grim-lipped self sacrifice but simply by expressing herself. There is self-realization but only through the loss of self in the music as a whole.

Though I have to admit that I think this excerpt stands better alone, rather than sandwiched between lines of blunt force political commentary. Via friend and co-conspirator Gonzo Nieto.