TWO HUNDRED AND THIRTY THREE

“Paradoxically, the better a metaphor is, the worse this kind of problem threatens to become … a good metaphor may be so compelling that it altogether subverts its referent’s original meaning. No longer recognized as a metaphor, it redefines truth on its own limited terms.” From Bernard J. Hibbitts, “Making Sense of Metaphors, Visuality, AuralityContinue reading “TWO HUNDRED AND THIRTY THREE”

TWO HUNDRED AND THIRTY ONE

Adam Basanta, the sound of empty space (via wemakemoneynotart). “…[at] the Galerie B-312 where composer and sound artist Adam Basanta has installed a series of works that play with self-generating microphone feedback. Each of the 3 works in the gallery examines, in its own witty and transparent way, the idea of sound as a mutableContinue reading “TWO HUNDRED AND THIRTY ONE”

TWO HUNDRED AND TWENTY EIGHT

Herta Müller in The Paris Review: INTERVIEWER Did you sing when you were alone like that? MÜLLER Little songs we learned in kindergarten, things like “Ein Männlein steht im Walde.” But I also talked to myself a lot, and with the plants. I was convinced I could speak with everything. INTERVIEWER Did you talk toContinue reading “TWO HUNDRED AND TWENTY EIGHT”