art
FOUR HUNDRED AND SEVENTY THREE
FOUR HUNDRED AND SEVENTY TWO
From Alexander Reben’s all prior art (see also: all the claims).
FOUR HUNDRED AND SEVENTY ONE
Annie Baillargeon, from the (unsettling) collection, Les natures mortes.
FOUR HUNDRED AND SIXTY EIGHT
By Ilya Milstein — I love his detail and his titles. In order: “A Library by the Tyrrhenian Sea,” “The Minimalist,” and “On Exactitude in Science.”
FOUR HUNDRED AND SIXTY SEVEN
FOUR HUNDRED AND SIXTY FOUR
From ruby onyinyechi amanze via Wayétu Moore in the Paris Review. She also has a beautiful artist’s statement.
