via r/france.
Category Archives: Uncategorized
TWO HUNDRED AND TWENTY FIVE
I believe the kitten did it. LISTEN — Futility Closet: Can a Kitten Climb the Matterhorn?
TWO HUNDRED AND TWENTY FOUR
Arrival of the Birds & Transformation, The Cinematic Orchestra.
TWO HUNDRED AND TWENTY THREE
I love this photograph of Margaret Hamilton with the Apollo 11 simulation data.
TWO HUNDRED AND TWENTY TWO
From Kevin Dowd, via Beautiful Decay.
TWO HUNDRED AND TWENTY ONE
From surreally talented illustrator and graffiti artist Smithe.
TWO HUNDRED AND TWENTY
Imagine a world where judges always wrote and worked with empathy. From R. v. Armitage: [55] If I could describe Mr. Armitage as a tree, his roots remain hidden beneath the ground. I can see what he is now. I can see the trunk. I can see the leaves. But much of whatContinue reading “TWO HUNDRED AND TWENTY”
TWO HUNDRED AND NINETEEN
Useful Robots, via Adafruit Industries.
TWO HUNDRED AND EIGHTEEN
Radiolab on authenticity and the real Don Quixote.
TWO HUNDRED AND SEVENTEEN
Cameron Kunzelman’s game The Sun is so calming: play it here. (via BoingBoing)
TWO HUNDRED AND SIXTEEN
Hilmar Örn Hilmarsson: Ars Moriendi.
TWO HUNDRED AND FIFTEEN
Louis Pasteur, by photographer Charles Grogg.
TWO HUNDRED AND FOURTEEN
Every time they kick this robot I feel a really vivid emotional reaction, like it’s vulnerable and needs protection. It makes me think about Kate Darling‘s work: “This effect already comes into play when objects are not specifically designed to evoke these feelings. For example, when the United States military began testing a robot that defused landminesContinue reading “TWO HUNDRED AND FOURTEEN”
TWO HUNDRED AND THIRTEEN
From Objection!!! by Illona Gaynor. A contemporary court of law is a literal demonstration of legal-theatre. It is often spatially laid out with strict rules and acute awareness of sightlines, with participation, and an audience situated in it’s viewing gallery, much like the broadcasting constructs of a television show. Rhetoric is a discipline that isContinue reading “TWO HUNDRED AND THIRTEEN”
TWO HUNDRED AND TWELVE
Dmitry Morozov experiments with electronics, building instruments and interactive installations. One of my favourites is this orchestra of 12 robotic manipulators (nayral-ro). (via Booooooom).
lexgill.com 