Office girls, via u/Lumzag on Reddit.
Tag Archives: art
FOUR HUNDRED AND FIFTY THREE
Toronto-based Illustrator Jeannie Phan discovered via Papirmass.
FOUR HUNDRED AND FORTY THREE
Jenn Woodall via Isis on Twitter.
FOUR HUNDRED AND THIRTY SIX
I am obsessed with the “Everydays” posted by Mike Winkelmann — and I love seeing the same characters and themes crop up in different contexts (see them all on Instagram).
FOUR HUNDRED AND THIRTY THREE
Julia Petrova, via booooooom.
FOUR HUNDRED AND TWENTY EIGHT
Adam Phillips in the Paris Review via Austin Kleon (emphasis his). “[I]f you live in a culture which is fascinated by the myth of the artist, and the idea that the vocational artistic life is one of the best lives available, then there’s always going to be a temptation for people who are suffering to believe thatContinue reading “FOUR HUNDRED AND TWENTY EIGHT”
FOUR HUNDRED AND TWENTY SEVEN
I love these clever illustrations by Gudim Anton (via Instagram).
FOUR HUNDRED AND TWENTY SIX
From Stuart Holland via booooooom.
FOUR HUNDRED AND TWENTY TWO
This is such a beautiful, artistically nourishing talk by Zach Lieberman at the 2017 AIGA Conference in Minneapolis.
FOUR HUNDRED AND SIXTEEN
Ugo Rondinone, the sun at 4pm via Gladstone Gallery and stilphase on Instagram.
FOUR HUNDRED AND FIFTEEN
A nice piece on Germany’s Center for Political Beauty and “Aggressive Humanism,“ by David Kretz. The Center has risen to new national prominence during the recent refugee crisis. In May 2014 the German Ministry for Family Affairs, headed by center-left secretary Manuela Schwesig, announced on a new website that it would offer asylum to fifty-five thousand SyrianContinue reading “FOUR HUNDRED AND FIFTEEN”
FOUR HUNDRED AND FOURTEEN
Everyone declined to comment, Austin Kleon.
FOUR HUNDRED AND TWELVE
From a set of data visualizations by W.E.B. Du Bois for the Paris World’s Fair.
FOUR HUNDRED AND SEVEN
From Todd McLellan‘s Things Come Apart (via fubiz — but I like the organized ones best). ).
FOUR HUNDRED AND THREE
Two cartoons from this LARB interview with Grant Snider.