Jia Tolentino’s ‘No Offence’ feels like such an important moment. It perfectly captures so much of what we’ll confess to sisters and friends over a glass of wine, but would never dare say online. “And so, there is an unspoken, horrible idea that contemporary political activity starts and perhaps ends with building a really good politicized identity—a processContinue reading “TWO HUNDRED AND EIGHTY FIVE”