via r/france.
TWO HUNDRED AND TWENTY FIVE
TWO HUNDRED AND TWENTY FOUR
Arrival of the Birds & Transformation, The Cinematic Orchestra.
TWO HUNDRED AND TWENTY THREE
I love this photograph of Margaret Hamilton with the Apollo 11 simulation data.
TWO HUNDRED AND TWENTY TWO
From Kevin Dowd, via Beautiful Decay.
TWO HUNDRED AND TWENTY ONE
From surreally talented illustrator and graffiti artist Smithe.
TWO HUNDRED AND TWENTY
Imagine a world where judges always wrote and worked with empathy. From R. v. Armitage:
[55] If I could describe Mr. Armitage as a tree, his roots remain hidden beneath the ground. I can see what he is now. I can see the trunk. I can see the leaves. But much of what he is and what has brought him before me, I cannot see. They are still buried. But I am sure that some of those roots involve his aboriginal heritage and ancestry. They help define who he is. They have been a factor in his offending. They must be taken into account in his sentencing.
[56] It is also obvious that this tree is not healthy. The leaves droop and appear sickly. It does not flourish regardless of the attention paid upon it. The tree needs healing.
[57] A part of any sentencing for an Aboriginal offender is to see if there is a way to further that healing. Of the offender and of the community he lives in.
[58] One important thing I must consider is the past injustices done to the aboriginal peoples in this country. How that has affected the present. How that has affected Mr. Armitage. I must also consider the present problem of the over-incarceration of aboriginal offenders.
…
[62] I find that Mr. Armitage appears before me as a dispirited man. He has really no self-esteem. He does not think of himself as important. As a result, he does not seem to care about what he does. The harm he has caused to others. The harm he has caused to himself. His spirit has fallen ill. Although I cannot say exactly how or describe it in easy to understand words, it strikes me that Mr. Armitage is a metaphor for what negative effects colonization has had on many First Nations people and communities.
TWO HUNDRED AND NINETEEN
Useful Robots, via Adafruit Industries.
TWO HUNDRED AND EIGHTEEN
Radiolab on authenticity and the real Don Quixote.
TWO HUNDRED AND SEVENTEEN
Cameron Kunzelman’s game The Sun is so calming: play it here. (via BoingBoing)
TWO HUNDRED AND SIXTEEN
Hilmar Örn Hilmarsson: Ars Moriendi.
TWO HUNDRED AND FIFTEEN
TWO HUNDRED AND FOURTEEN
Every time they kick this robot I feel a really vivid emotional reaction, like it’s vulnerable and needs protection. It makes me think about Kate Darling‘s work:
“This effect already comes into play when objects are not specifically designed to evoke these feelings. For example, when the United States military began testing a robot that defused landmines by stepping on them, the colonel in command called off the exercise. The robot was modeled after a stick insect with six legs. Every time it stepped on a mine, it lost one of its legs and continued on the remaining ones. According to Garreau (2007), “[t]he colonel just could not stand the pathos of watching the burned, scarred and crippled machine drag itself forward on its last leg. This test, he charged, was inhumane.” Other autonomous robots employed within military teams evoke fondness and loyalty in their human teammates, who identify with the robots enough to name them, award them battlefield promotions and “purple hearts”, introduce them to their families, and become very upset when they “die”. While none of these robots are designed to give emotional cues, their autonomous behavior makes them appear lifelike enough to generate an emotional response. In fact, even simple household robots like the Roomba vacuum cleaner prompt people to talk to them and develop feelings of camaraderie and gratitude.”
TWO HUNDRED AND THIRTEEN
From Objection!!! by Illona Gaynor.
A contemporary court of law is a literal demonstration of legal-theatre. It is often spatially laid out with strict rules and acute awareness of sightlines, with participation, and an audience situated in it’s viewing gallery, much like the broadcasting constructs of a television show. Rhetoric is a discipline that is widely used in televisual language and originated in the legal context of persuasion – often called theatrum veritatis et iustitae (the theatre of truth and justice) and was ‘the medium through which the drama of law was played out’.
TWO HUNDRED AND TWELVE
Dmitry Morozov experiments with electronics, building instruments and interactive installations. One of my favourites is this orchestra of 12 robotic manipulators (nayral-ro).
(via Booooooom).









